@article{oai:aulib.repo.nii.ac.jp:00000867,
 author = {島崎, 一行 and Shimazaki, Kazuyuki},
 issue = {48},
 journal = {旭川大学短期大学部紀要, The journal of Junior College, Asahikawa University},
 month = {Mar},
 note = {Since our auditory organ opens to the outer world all the time, it is not until when a state of no sound is presented that we realize the value of itself (yet still being able to hear the sound of blood flow around internal ear when the sound of outer world is completely shut). Along with recognizing modern sound environment and function of auditory organ, the potential of its development that is associating with the ideology of how the sound should be perceived with a perspective of children and caregivers is introduced. Animism, auditory characteristics of Japanese, a prior emotion before verbalization (formation of thinking), these are especially regarded as a foundation in considering imaginative sound representation of children., 聴覚は外界に対して開いたままの器官であるだけに無音状態（外界音が全く閉ざされても内耳付近の血流音が聞こえてしまうが）になったときに初めてその存在価値に気づくことさえある。現代の音環境と耳を通した世界を再認識すると共に、如何に音と向き合うべきかを子どもと保育者の視点から様々な表現と連携した形でその展開の可能性を紹介した。特にアニミズム、日本人としての耳の特性、言語化（思考完結）される以前の情感は子どもの創造的音表現を考える上で根幹をなすものと考える。},
 pages = {53--64},
 title = {子どもの創造的音表現を考える},
 year = {2018},
 yomi = {シマザキ, カズユキ}
}